Posts tagged: AbEx

Hedda Sterne (August 4, 1910 – April 8, 2011)

By , April 12, 2011

“Hedda Sterne, an artist whose association with the Abstract Expressionists became fixed forever when she appeared prominently in a now-famous 1951 Life magazine photograph of the movement’s leading lights, died on Friday at her home in Manhattan. She was 100.”

Pictured from left rear: Willem De Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; next row: Richard Pousette-Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin; foreground: Theodoros Stamos, Barnett Newman and Mark Rothko. Missing from photo: Weldon Kees, Fritz Bultman and Hans Hofmann. Photographed by Nina Leen for Time/Life, 1951.

Happy Birthday Adolph Gottlieb

By , March 14, 2011

Adolph Gottlieb (March 14, 1903 – March 4, 1974)

Adolph Gottlieb in his studio on 23rd Street in New York City, circa 1956.

Abstract Expressionist New York @ MoMA

By , February 21, 2011

Abstract Expressionist New York
The Museum of Modern Art
October 3, 2010–April 25, 2011

Happy birthday, Jackson

By , January 28, 2011

From The Journals of Grace Hartigan, 1951-1955

By , February 15, 2010

“Of course I doubt myself all the time, but I must obey my instincts, they are the only things I can trust. I was thinking last night as I sat by the stove reading the journals of last year how suspicious I am of whatever “procedure” I’m involved with at a certain period in painting. When I was working from “master” reproductions I was afraid I’d never do anything original. When I was painting from photographs I was afraid I’d never work from nature again. When the work was more agitated I hated its “expressionism” and wanted more calm. And now that it’s more calm I fear it’s not emotional enough. When I take a long time on a picture and struggle a great deal I hate the agony and suspect I’m over-working. And when it comes easily I fear facility.”

Arshile Gorky: A Retrospective

By , December 30, 2009

“Abstraction allows man to see with his mind what he cannot physically see with his eyes… Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind. It is an explosion into unknown areas.” – Arshile Gorky

Arshile Gorky: A Retrospective
October 21, 2009 – January 10, 2010
2010 Philadelphia Museum of Art

Arshile Gorky: A Retrospective celebrates the extraordinary life and work of Arshile Gorky (about 1902–1948), a seminal figure in the movement toward abstraction that transformed American art. This exhibition, which includes about 178 works of art, surveys Gorky’s entire career from the early 1920s until his death by suicide in 1948. The retrospective includes paintings, sculpture, prints, and drawings—some of which are being shown for the first time—and reveals Gorky’s development as an artist and the evolution of his singular visual vocabulary and mature painting style.

Abstract Expressionism: Heilbrunn Timeline of Art History

By , October 13, 2009

“A new vanguard emerged in the early 1940s, primarily in New York, where a small group of loosely affiliated artists created a stylistically diverse body of work that introduced radical new directions in art—and shifted the art world’s focus. Never a formal association, the artists known as ‘Abstract Expressionists’ or ‘The New York School’  did, however, share some common assumptions…”


Symphony No. 1, The Transcendental
Richard Pousette-Dart (1916–1992)
Oil on canvas
86″ x 140 1/2″

Charles Seliger (1926-2009)

By , October 9, 2009

Charles Seliger, a distinguished abstract expressionist painter who played a vital role in the New York art scene for over sixty-five years, died on Thursday. He was 83 years old.”

UPDATED October 26, 2009
Don Quixote (1944) is now on view in the lobby of the Whitney.

The consciousness of the personal and spontaneous…

By , September 23, 2009

“The consciousness of the personal and spontaneous… stimulated the artist to invent devices of handling, processing, surfacing, which confer to the utmost degree the aspect of the freely made. Hence the importance of the mark, the stroke, the brush, the drip, the quality of the substance of the paint itself, and the surface of the canvas as a texture and field of operation – all signs of the artist’s active presence….. The impulse . . . becomes tangible and definite on the surface of a canvas through the painted mark. We see, as it were, the track of emotion, its obstruction, persistence or extinction…. (E)lements of so-called chance or accident [are] submitted to critical control by the artist who is alert to the rightness and wrongness of the elements delivered spontaneously, and accepts or rejects them.”

Meyer Schapiro
quoted by Irving Sandler in A Sweeper-Up After Artists: A Memoir.


Grace Hartigan (Mar 28, 1922 — Nov 15, 2008)

By , November 18, 2008


Grace Hartigan, a second-generation Abstract Expressionist whose gestural, intensely colored paintings often incorporated images drawn from popular culture, leading some critics to see in them prefigurings of Pop Art, died on Saturday in Baltimore. She was 86.